THOUSANDS OF FREE BLOGGER TEMPLATES

Sunday, January 30, 2011

Look Back: Beatles Played Rooftop Concert 42 Years Ago

Get Back Jo Jo!


The Beatles conducted their famous rooftop concert on January 30, 1969. The show, which took place on top of the roof at the London headquarters of their Apple record label, was the last concert performance by the band.

Paul McCartney had insisted that the Beatles, who stopped touring in 1966, return to live performances. The band reluctantly agreed to a series of rehearsals, known at the time as the "Get Back" sessions, which would culminate in a televised concert.

Over the course of the stressful project, which included George Harrison's brief departure from the band, the plans were continuously downgraded. Eventually, the four Beatles could only (reluctantly) agree to an impromptu rooftop concert to provide a conclusion to the documentary that was being filmed about the rehearsal process.

Accompanied by keyboardist Billy Preston, the Beatles played to a bemused lunchtime crowd in the surrounding buildings and in the street below. They played for a little more than 40 minutes, before police shut down the performance. The concert covered songs that would eventually end up on their "Let It Be" album. The setlist included "Don't Let Me Down," "I've Got A Feeling" and "Get Back" (which were all played a couple times), as well as "The One After 909," "Dig A Pony" and "God Save The Queen."

by RTT Staff Writer

Saturday, January 29, 2011

A Beatles Time Travel Movie?

UUHHHH.....O.K. Sure. Can we say Direct To DVD?




Mark Waters, a Hollywood director of tolerable if, broadly speaking, unimaginative romantic and teen comedies has been announced as the director of a movie set to ponder one of the ultimate “what if?” questions of popular culture. The question being, “what if John Lennon had not gone out with Yoko Ono?”

The films premise is simple, if not a little silly: two Beatles fans travel back in time to prevent John Lennon from meeting Yoko so that she would not- as conventional wisdom dictates- have broken up the greatest band in the history of popular music.

Of course, for anyone that cares to spend two minutes researching the complexities that have since emerged, the presence of Ono around Lennon much of the time was relatively incidental to various arguments concerning business and recording at the time, unhelped by drug fuelled paranoia. Nevertheless, Yoko Ono has become a byword for the influence of a disruptive girlfriend of wife of any band member.

It will be interesting to see how Waters manages to traverse these tricky personal (and legally) paths in order to extract the obvious potential for humour. Not least among these problems will be that of finding actors of sufficient skill to properly grasp the unique wit and charisma of the Fab Four at their artistic and commercial peak. The screenplay- provisionally titled, Get Back – written by Chris McCoy, has already received acclaim, and producer, Sidney Kimmel, must be reasonably confident of resolving potential legal issues to have announced pre-production to the press.

Smartly of course, Get Back is the final Beatles song on their last album together Let It Be;

Although no actors names have been attributed to the project thus far, it is likely that we will see the film in some form, sooner rather than later.

source: http://www.obsessedwithfilm.com/movie-news/mark-waters-to-direct-beatles-time-travel-movie-get-back.php#ixzz1CQr4imSV


source: http://www.obsessedwithfilm.com/movie-news/mark-waters-to-direct-beatles-time-travel-movie-get-back.php#ixzz1CQpJHxjp

Friday, January 28, 2011

Breakfast With The Beatles Goes Up On The Roof

I wonder if he will rock a pair of green pants like George?!?☺



On the next edition of "DENNIS MITCHELL's Breakfast With THE BEATLES," it’s the "Ultimate Rooftop Show," with the entire two hours devoted to THE BEATLES' final public performance JANUARY 30, 1969.
Listeners will enjoy the performance in its entirety including outtakes not included in the film, "Let It Be." Plus, many tracks from the band's tumultuous warmup sessions at TWICKENHAM STUDIOS, and observations from former chief KEN MANSFIELD who was on the rooftop that day.
Learn more at www.beatlesradioshow.com.

Thursday, January 27, 2011

George Harrison Remembered By Older Sister

 Louise Harrison, sister of late Beatles legend George Harrison, was one of the band's earliest supporters and now she's speaking about the group's early days. During a recent interview with the Times Record News, she says George was anything but the "quiet" Beatle.

"I had the opportunity to dispel some of the crazy stories that were being written about the Beatles. The stations also realized that if they brought me in and did a radio program where fans called in and chatted with me the day before the concert, it kind of got them heavy ratings," she says in the recent interview.

Louise was 11 years George's senior and worked hard to promote the band by calling radio stations and then offering weekly "Beatles Reports" on the radio.

"George being quiet is a myth. When he came to do The Ed Sullivan Show, he had just come in from Paris and he had a 104-degree temp and terribly bad strep throat," she adds.

"At that point, Brian Epstein just about had a conniption and said 'you can't let the press know there's anything wrong.'"

by RTT Staff Writer

Wednesday, January 26, 2011

First Beatles graduate is announced

Man, If only I knew about this school, it would have been easy to get a Masters Degree!☺☺☺☺☺☺☺

A Canadian singer has become the first person in the world to graduate with a Masters degree in The Beatles.
Former Miss Canada finalist Mary-Lu Zahalan-Kennedy, 53, was one of the first students to sign up for the course on the Fab Four when it launched at Liverpool Hope University in March 2009.
Twelve full-time students joined the Master of Arts course in The Beatles, Popular Music and Society that year and Mary-Lu is the first from her class to graduate.
She said: "I am so proud of my achievement. The course was challenging, enjoyable and it provided a great insight into the impact The Beatles had and still have to this day across all aspects of life.
"The faculty and students at Liverpool Hope University were crucial in providing an unforgettable experience and their support was invaluable."
The course looks at the studio sound and composition of The Beatles and how Liverpool helped to shape their music.
The MA examines the significance of the music of The Beatles and how it helped to define identities, culture and society.
Mike Brocken, founder and leader of the Beatles MA, said: "This programme is the only postgraduate degree programme in the world of its kind.
"Mary-Lu now joins an internationally recognised group of scholars of Popular Music Studies who are able to offer fresh and thought-provoking insights into the discipline of musicology."
Ms Zahalan-Kennedy is a professional singer and actress with three CDs recorded and a Juno nomination for Most Promising Female Vocalist in Canada in 1983.
-----thetelegraph.co.uk

Tuesday, January 25, 2011

Wanted: John Lennon

Hey Guys! I found the perfect job for any Beatles fan....Being John Lennon! So if you got the singing chops and can play a mean guitar why not become John Lennon.

Here is the full story:


Imagine spending a day in the life as John Lennon – or indeed evey day. The Bootleg Beatles are offering someone out there the chance because they now need a new member to play the late legend. Guitarist of course offered to help!
The UK's tribute band the Bootleg Beatles, are on the looking for a new Lennon to replace Neil Harrison who is retiring from the band after 31 years. The fab four's authentic performances have earned them a worldwide reputation over the years. So much so that George Harrison once remarked, "You probably know the chords better than I do!" after seeing the band perform.
The Bootleg Beatles are very clear about what they want from candidates looking for a ticket to ride on their tourbus: 'Outstanding musicianship and vocals are a must - a physical resemblance to the great man wouldn't go amiss either!'
To be considered for audition and the chance to obtain instant karma, aspiring Lennons should submit an mp3 and/or mp4, photo & CV to auditions@bootlegbeatles.com
Don't hide your love of Lennon away – if you think you've got what it takes to come together with the Bootleg Beatles and continue their legacy, audition now. Sorry, we'll stop with the song references now.
For more info on the Bootleg Beatles' touring plans please visit their official website.

Monday, January 24, 2011

10 More Things You Might Not Know About John Lennon

Were he still alive today, John Lennon would be 70 years old, but instead, 30 years ago, he left this earth. On the December day that he was shot dead outside his New York City apartment, curiosity about the Beatle reached a fever pitch that hasn’t waned since. Last October, we ran a popular story called “10 Things You Might Not Know About John Lennon” which we’re reprising here with more little-known facts.
Lennon’s life has remained of particular interest to people not just because it was extinguished so abruptly, but also because it was so unconventional. He appeared hell-bent on fashioning his life into a delicious experiment, one that led to many reinventions. Because of this, Lennon’s brief life can be divided into neat chapters, as though he lived the lives of many men within just 40 years. There was his heartbreaking childhood, his early marriage to a college sweetheart, his rise to deafening worldwide fame, his all-consuming love affair with Yoko Ono, his kooky spiritual quests, his drug and alcohol problems, his political convictions – so ardent they almost got him deported. There were famous alliances and feuds, and there was his ever-evolving knack for writing beautiful, meaningful songs. As Paul McCartney said in 1987, “[John] was like our own little Elvis ... We all looked up to John. He was older and he was very much the leader; he was the quickest wit and the smartest.”
With the insight of Beatles historian Robert Rodriguez, who authored the book Fab Four FAQ(Fabfourfaq.com) and is at work on the forthcoming Revolver: How the Beatles Reimagined Rock and Roll (both available through Hal Leonard), here are 10 more things you may not have known about the most fascinating Beatle.
1. Despite popular opinion, Lennon wasn’t born during a WWII bombing raid.
“Something that’s in all the Beatles books, except for Fab Four FAQ and one or two others, is that [Lennon] was born in the midst of a Liverpool bombing raid in WWII, and that’s not true,” says Rodriguez. “He was actually born during a period when there wasn’t any heavy bombing going on. People like to make the point that he came into the world in a violent way and that was how he ended as well, but that’s not strictly true.”
2. His artistic talents predated his musical talents.
“As far back as the age of 10, there was a satirical comic book that [Lennon] put together called ‘The Daily Howl’ and he circulated it among his classmates,” says Rodriguez, who explains how Lennon’s talents as an artist actually led to the formation of The Beatles. “When he left what was the English equivalent of high school, he went straight into art school. All of his teachers felt that if he was going to have any kind of future at all that this was where his talent lay. That’s where he met Stuart Sutcliffe, who became a member of The Beatles, and that’s where he met his first wife, Cynthia Powell, who was also studying art.”
3. His first guitar was a gift to himself.
Though Lennon would prefer Epiphone and Gibson guitars throughout his adult life, his first guitar was an off-brand flat top acoustic. Most people think that the guitar was a gift from his mother, Julia, but in fact John purchased the guitar himself and had it shipped to Julia’s house so that his disapproving aunt Mimi wouldn’t discover it. Julia had previously taught John some banjo chords, whetting his appetite for stringed instruments. As reported in Andy Babiuk’s book Beatles Gear, Lennon has said, “I was about 14 when I got my first guitar. It was a beat-up old Spanish model which costs about 10 quid … When I was young I played the guitar like a banjo, with the sixth string hanging loose.”
4. He preferred small guitars to fit his stature.
In his many years of Beatles-related research, Rodriguez says that two themes in particular have emerged about Lennon’s guitar playing. “Guitar techs and people that were aware of him musically always said he was one of the best rhythm guitarists they’d ever heard but that his arms and his hands were small and that he tended to play short-scale instruments,” says Rodriguez. “They were always amazed at how small John seemed in person.”
5. He apparently didn’t clean his guitars very often.
Lennon probably had guitar techs clamoring to polish his guitars, but it seems that he kept his axes pretty grungy. Joe Jackson guitarist Vinnie Zummo recently related an anecdote to Rodriguez about discovering and playing Lennon’s famous Epiphone guitar while visiting the offices of ABKCO, which was managing Apple in ’69 and ’70. “When I first got [to ABKCO] they told us to wait in a room where I see a case,” says Zummo. “Being a player, I had to open it. Well it was the Epiphone Casino! The one with the paint stripped off that [Lennon] used in the Let It Be film. I freaked out and immediately played every Beatles tune I could think of. The axe was in terrible shape. Absolutely filthy! When you played a chord and took your hands off the neck, your hands were black with dirt. As if the strings had never been changed. Filthy strings, extremely dead sounding. That kind of explains his guitar sound now that I think of it.”
6. The “Lost Weekend” wasn’t very lost at all.
In the weeks before his death, while granting interviews to promote his forthcoming Double Fantasy, Lennon spoke of what he called “The Lost Weekend,” a period of 18 months in the mid-’70s during which he had separated from Yoko Ono, taken up with his personal assistant, May Pang, and gotten drunk on a regular basis. “Lennon tried to paint [this period] as this really desolate, drunken, bottoming-out episode, but that was a very small part of it,” says Rodriguez. “In fact, that time was the most productive post-Beatles era of his career, where he produced two albums of his own, he worked with Ringo on Goodnight Vienna, he produced an entire album [Pussy Cats] with Harry Nilsson, he recorded with David Bowie, Elton John, Mick Jagger. There was a staggering amount of productivity during that time, and the results just shined. It’s a myth that he himself helped propagate — that during [that] time he was just this pathetic figure who couldn’t get his act together until he was back with Yoko. Professionally, it’s not so.”
7. There was love beyond Yoko.
Lennon was married twice, to Cynthia Powell, whom he wed in 1962 shortly after the couple discovered they were pregnant with son Julian. He then married Yoko Ono in 1969 and carried on a famous, Yoko-sanctioned affair with May Pang from 1973-1975. But were there others, too? Rodriguez says yes. “[Lennon] confessed to countless one night stands with fans and groupies and a few celebrities. But when both sides are dead, it’s hard to know what’s really true. But certainly, during the ’65 tour when The Beatles were in America, he was photographed out with Jayne Mansfield and there are some accounts of them hitting it off, so to speak.” Rodriguez alludes also to rumors of Lennon affairs with Help! actress Eleanor Bron, English journalist Maureen Cleave and singer Joan Baez.
8. He was on good terms with Paul McCartney when he died.
Sure, there were some rough patches between Lennon and McCartney but Rodriguez says, “The reality is that, yes, the break-up was probably uglier than it needed to be … but most of that had died down by early ’72. When John was apart from Yoko, Paul started visiting him and they actually jammed in the studio in March of ’74, when Paul was in Los Angeles to attend the Oscars. There are photographs of them hanging out poolside at the house that John had rented in Santa Monica. In April of ’76, Paul was in the habit of visiting when he passed through town, and they both happened to be sitting on the couch together watching Saturday Night Live when Lorne Michaels came on and did this tongue-in-cheek invitation for The Beatles to reunite on his show … There are John and Paul watching it in real time, live, like a 30-minute cab ride away from 30 Rock. They actually toyed with the idea of going down there, but ultimately decided they were too tired. The next day, Paul showed up again, without calling first and with a guitar in his hand, and John kind of chewed him out, like, ‘I’ve been up all night with the baby. Can you just call first?’ And that was the last time they saw each other, although Paul said he didn’t mean it to be that way. They just didn’t cross paths again, but they did maintain contact by phone. One of things that later was a comfort to Paul, after John died, was that the last phone conversation they had was really warm, very friendly.”
9. We can guess what Paul and John talked about the last time they saw one another.
“Paul’s father Jim died on March 18, 1976 and John’s father Alfred died on April 1, 1976,” points out Rodriguez. “John and Paul last saw each other on April 24-25, 1976. The issue of each father’s deaths had to have come up.”
10. The last great Lennon mystery is what he was recorded saying the night before he died.
Jack Douglas – who produced the final Lennon-Ono album, Double Fantasy – installed a hidden recording device in the studio to capture the natural dialogue that occurred during recording sessions for the album. The night before Lennon died, that device caught Lennon saying something that the public will likely never be privy to. “At first [the recorder] was hidden in secret but when John found about it, he said, ‘Oh, I think it’s a great idea. [These recording sessions are] historic so why not?’,” says Rodriguez. “And the last night of his life they were at the studio working on ‘Walking on Thin Ice,’ Yoko’s track, and Jack Douglas later described it. He said, ‘Some very, very strange things were said that night. Some things that I don’t want to publicly divulge.’ And he wiped the tape clean of that night’s chatter. I’ve questioned him on it myself, and to this day he’s taken this total attitude of stonewalling. Nobody has been able to pry out of Jack Douglas’ mouth what it was that John Lennon said that shook him that he felt he could not share it with the public.”

Sunday, January 23, 2011

Beatles exhibit opens 13 days ahead of schedule

The Beatles could be considered one of the most iconic bands in music history. Topekans Ron Russell and Tony Wedeking have been collecting Beatles' memorabilia since the band was still producing music. A portion of their massive collection is now on display at the Mulvane Art Museum after the exhibit opened at noon Saturday – 13 days ahead of schedule.
Michael Hager, Exhibit Preparator at the Mulvane, has been working on this show for over a year and helping Russell and Wedeking to turn their collection into an exhibit. The display is entitled "Remember My Name."
"We have been working on this show for about a year and have had our nose to the grindstone for the last three months," said Hager.
Hager explained this is normal for an exhibit at the museum, but that a lot of planning time is also helpful in a case like this where the owners' of the collection had never done an exhibition in a museum before. There is a lot to learn because displaying in a museum or gallery is different than in a private home.
"They have a story for every item," said Hager. "For the last month and a half they have been bringing their stuff in by the carload. It took about a dozen trips."
Organization proved to be a small challenge because Russell and Wedeking work third shift and are usually asleep when work is being done at the Mulvane. Despite the difference in schedules however, Hager said organizing things has gone better than he would have thought.
Despite their work schedules, Russell and Wedeking will be doing two discussions for the public to share the information about their collection. Avid collectors, only a portion will be on display. "What we are having on display is a miniscule part of their collection," said Cindy Morrison, Director of the Mulvane Art Museum. "They are very passionate and very knowledgeable about all of it."
Morrison is excited about the exhibit because it should appeal to people who may not normally be interested in the art scene. It also exposes that art is in things that we come into contact with all the time.
"It's looking like the Beatles are very timeless and that is amazing for any band," said Morrison. "It's about the music but yet the posters, tickets and jewelry that were all memorabilia were designed by artists. So not only do we have the singers but also the people who make guitars, the printers, the jewelry-makers. Everything we use is all designed by somebody, and they are all artists."
Morrison hopes this exhibit will bring newcomers to the Mulvane. The Beatles being such large pop culture icons may attract fans of the band that may not normally attend art museums and galleries.
"We are always looking at ways to attract different groups of people to the museum," said Morrison. "We try to present a variety of different exhibitions both with thematic and subject matter."
Works by Chinese artists, the "Surface and Form" exhibit and works by David Hicks Overmyer, a Topeka native and artist/ illustrator/ muralist, will soon be on display, as well.
The opening reception for the remaining exhibits is going to be on Friday, Feb. 4, from 5- 8 p.m. at the museum. The Mulvane is normally open on Tuesday from 10 a.m. to 7 p.m., Wednesday through Friday from 10 a.m. to 5 p.m. and over the weekend from 1-4 p.m. The museum has a Facebook page and their website is www.washburn.edu/mulvane. Admission is always free.
---washburnreview.com

Saturday, January 22, 2011

Get yer Beatles on with The Fab at the Club at the Cannery


Yoko Ono, Paul McCartney and Ringo Starr unveil a tribute to John Lennon and George Harrison in celebration of the first anniversary of The Beatles Love by Cirque du Soleil at The Mirage.
If you're looking for some reliably entertaining music, songs you likely know by heart played at optimum proficiency, hit the Club at the Cannery tonight at 8 for a multimedia presentation featuring the great Beatles cover band The Fab. The music will be pulled from "A Hard Day's Night" and "Help," interspersed with a presentation of the band's legendary appearances on "The Ed Sullivan Show."
I shall introduce the band and, just in case, I will pack my electric maracas. The show runs form 8 to 10 p.m. Tickets are $10.
I first encountered Pat Woodward and the boys long ago, just after moving to Las Vegas in 1996. They were playing the old lounge at Palace Station, and a friend rushed over to me and said, "I just saw this band you've got to see! They're playing "Free As a Bird," which was the most recent Beatles "single," pasted together for the "Anthology" series using an old demo tape of John Lennon singing into a recorder.
As I said at the time, they looked like The Eagles but sounded like The Beatles. I've seen them in so many venues over the years -- Mad Dogs & Englishmen, Eastside Cannery, outdoors at The District -- and they never fail to put a smile on my face.
It'll be fun to catch up with the crew.

John Lennon's private letters to be published in 2012

John Lennon - David Spindel
In the Beatles’ song “Across the Universe,” John Lennon famously sang that “Words are flowing out like endless rain into a paper cup,” and next year a slew of the former Beatle’s words that flowed onto paper in the form of his private letters will be collected in a volume to be published by London-based Orion Books, according to the Guardian in London.
Orion bought the rights from Lennon’s widow, Yoko Ono, to about 150 letters filling hundreds of pages that Lennon wrote over the years to friends, fans and business associates. The physical letters have been in the possession of Beatles biographer Hunter Davies, but Ono controls the intellectual property rights to them.
"These letters have never been collected in one place before, and for the most part they have never been seen before," Orion Publishing Group executive Alan Samson told the Guardian. "The other reason people have gone crazy for it is the fact that there are half a dozen icons of the 20th century –- Marilyn Monroe, Kennedy, Elvis –- and Lennon is one of them."
Orion plans to publish them in October 2012 in conjunction with the 50th anniversary of the release of the Beatles' first hit single, “Love Me Do.” The price Samson and Orion paid has not been specified, but is said to be between 500,000 and 1 million pounds, or between $800,000 and $1.6 million U.S. dollars.
"They are full of wonderful drawings,” Samson said. “They are funny, sad ... they are very human letters."
-- Randy Lewis
Photo of John Lennon in 1980. Credit: David Spindel/PBS

Thursday, January 20, 2011

The Town That Rejected The Beatles

We received this info about a book that should be of interest to Beatles fans: Back in 63 to liven up a town in Sussex, England a 19 year old promoter booked the Rolling Stones for $80 for a dance. It was a sell out. He then phoned Brian Epstein in Liverpool who offered him the Beatles for $390 !
The Beatles never appeared because the town of Horsham said no! No Beatles in our back yard. Nobody would hire him a hall.
That amazing unique story is the basis of a fact to fiction novel now published in America: 'Tear My Heart' takes that incident and tells it as it was: great new 60s songs, blackmail, romance, intrigue, abuse all wrapped up in 60s memorabilia.
A chance remark from his mother prompted 20 year old Nick Blakey to step into the exciting world of pop music in 1960s Britain. From his modest start booking a church hall, Tear My Heart tracks his climb to fame and fortune putting singers and groups at the top of the Billboard chart. The rise to success is not a straight course for Nick, with disappointments, blackmail, and massive publicity stunts along the way to monster hits and love between the years of 1964 and 1966. The story picks up 40 years later, as the former pop mogul works with a ghostwriter on his autobiography, which includes his scathing thoughts on the music scene today. About the Author: Cary Vincent based this story on his own experiences. He really did book the Rolling Stones to play a church hall for £50. And Brian Epstein really did offer him the Beatles for £250, but no one would hire him a venue. His story has been repeated by local papers over the years, but in Tear My Heart he has found a way to tell the story himself, by mixing it with fiction.

Wednesday, January 19, 2011

Beatles Museum with record breaking 8500 pieces.

There are many locations synonymous with The Beatles - Abbey Road, Strawberry Fields or even the USSR - but Argentina has never been one of them. Until now.
Despite the fact that the band never played in Argentina, an obsessive fan has put his country on the Beatlemania map.
Following the examples of museums in the band's native Liverpool and their early haunt Hamburg, a third major collection has opened to the public in Buenos Aires.
Besame mucho: A new Beatles museum in Buenos Aires has opened with more than 8,500 items for exhibit
Besame mucho: A new Beatles museum in Buenos Aires has opened with more than 8,500 items for exhibit


It includes a brick from The Cavern Club, a check for £11 signed by Ringo Starr and even a box of condoms branded with the names of John Lennon and Yoko Ono.
The eclectic collection is the work of self-confessed obsessive Rodolfo Vazquez, a 53-year-old accountant who became a fan at the age of 10 when he got their album Rubber Soul.
Since then he has collected everything he possibly can related to the Fab Four and has amassed more than 8,500 items. 
In 2001 he was recognised by Guinness World Records as having the planet's largest collection, with a hoard of 5,612 items.
But his haul has kept growing and his museum, which opened this month on Avenue Corrientes in a touristy area of Buenos Aires, is only able to hold a quarter of it.
'The idea is to show my collection permanently,' said Vazquez. 
Baby, You're A Rich man: Rodolfo Vazquez, owner of the Beatles museum
Baby, You're A Rich man: Rodolfo Vazquez, owner of the Beatles museum
Every Little Thing: Not content with his huge collection, Vazquez also has a nightclub called The Cavern
Every Little Thing: Not content with his huge collection, Vazquez also has a nightclub called The Cavern


Tuesday, January 18, 2011

Properties in The Beatles Museum

One of the bricks of the club The Cavern, a check signed by Ringo Starr and the “real wig” of The Beatles are among thousands of objects related to the Fab Four in a museum in Buenos Aires specializing in the legendary British band The Beatles.  The museum is a product of “Beatlemania” by the Argentine Rodolfo Vázquez, a private collector who became a fan of the four young men from Liverpool when he was 10. “I gave the album Rubber Soul and the theme In my life I fell in love with The Beatles,” the music lover.
Vazquez joined everything that was in Buenos Aires on the most famous rock band in history, such as disks or cuts of interviews. This obsession that grew with time 10 years ago resulted in the inclusion of Argentina in the Guinness Book as the largest private collector of The Beatles. From there, he shaped what is now a reality with the creation of the museum.
The Beatles Museum which opened this month in the tourist Avenida Corrientes has two thousand 200 pieces of more than eight thousand 500, bringing together and remember the life and work of the musicians.  There are other museums on the British group, such as Liverpool and Hamburg, with relevant pieces from musicians, but Buenos Aires is the first in Latin America.
In the windows and walls of the small local objects are packed for everyone: a box of condoms with names of John Lennon and his second wife, Yoko Ono, one of the “authentic Beatle wigs ‘adapting’ to any size Head “sold in the U.S. and autographed photos of the four musicians.
Many of the items were traded for Vazquez. Other Argentine collector purchased by some of his trips abroad, but all show the fervor that still arouses the band from Liverpool.
---coffeetoday.com

Monday, January 17, 2011

NYC landlord wants money from John Lennon suit auction

A New York City landlord has sued bosses of a gallery which auctioned an outfit worn by JOHN LENNON on the cover of THE BEATLES' famous ABBEY ROAD album earlier this month (Jan11).
The late legend sported the white suit in the iconic photograph, which showed the bandmembers walking across a pedestrian crossing outside their favourite recording studio in London.
His wool-blend blazer and trousers, made by French designer Ted Lapidus, sold at a Braswell Galleries auction in Connecticut on New Year's Day (01Jan11) for a whopping $46,000 (£30,667).
Now landlord Mark Arrows is suing gallery management in a bid to collect proceeds from the auction to satisfy a rent debt left behind by seller Biond Fury.
According to documents filed in a Manhattan state court last week (11Jan11), Arrow claims a court determined in 2009 Fury owed him more than $21,000 (£14,000) on his Manhattan apartment.
Arrow's lawyers say they told the Norwalk, Connecticut based gallery not to go through with the sale, and the gallery should now have to pay at least $21,463 (£14,310).
Gallery co-owner Kathy Braswell declined to comment.
---contactmusic.com

Sunday, January 16, 2011

The Beatles never die

Russia’s Ural city of Yekaterinburg is playing host to the exhibition “Lennon with us”, which opened on the eve of UNESCO-established Beatles Day in honor of the legendary Liverpool quartet The Beatles. It is celebrated worldwide on January 16th. We have more from our correspondent Tatyana Zavyalova.
The Beatles is deservedly acknowledged to be one of the 20th century brightest phenomena. Even despite its break-up, the band has been overtaking other musicians in popularity for many years, as testified to by the constantly growing number of its fan clubs worldwide. It is an understatement to say that Russia is no exception here - our country can be called a sort of a leader in this respect. But Yekaterinburg apparently stands out among other Beatlemania-obsessed Russian cities as a paradise for Beatles fans. The country’s first monument to the band erected here on May 23rd 2009 features the four musicians as “white silhouettes fixed to a brick wall”. A nearby yard regularly hosts performances of famous Russian and foreign bands. The ongoing “Lennon with us” exhibition displays works by Ural artists, such as Felix Smirnov presenting a series of his brilliant graphic designs; avant-garde painter Sergei Pafenyuk, whose pictures are included in the Beatles Art collection and were appraised by Sir Paul McCartney himself; and Olga Shaerman with her gorgeous portraits of John Lennon and Yoko Ono, which she made after listening to the White Album tracks.
There has always been something magical about The Beatles that influenced and inspired nearly all representatives of Russian underground art. One of them - rock musician and writer Vladimir Rekshan, who is also the organizer of the Beatles Music festival in Russia - recollects:
" I remember every little thing as if it happened only yesterday. It was in the mid 60s that I heard several Beatles’ songs on the radio accompanied by commentaries like “those were our friends - cargo loaders from Liverpool”. All of us developed an affection for this band - an affection that was later replaced by real Beatlemania, this never-ending search for photos and recordings.
And it gradually grew into a global youth revolution in the West, as well as something of this kind but smaller in scale here in Russia. Music by the Liverpool quartet is a sort of international cultural Esperanto comprehensible for everyone, Vladimir Rekshan said.
 Blog posts of the band’s new adherents read as follows: “Listening to Beatles’ music is similar to reading an ABC book. That is what the process of studying any foreign language starts with. It is absolutely impossible to read Dostoyevsky or Kierkegaard without a thorough examination of an ABC book. Musical literacy should also have something to start with. And that is The Beatles.”
 The band’s well-known songs are often included in concert programs of young Russian musicians, such as The Beatween, a Beatles-tribute band from Moscow. It should be noted that even the United Kingdom applauded their performance of songs from the early Beatles repertoire. 
Tatyana Zavyalova

Saturday, January 15, 2011

50 Greates Guitar Riffs in Rock n' Roll

Spinner.com just released their picks for the 50 greatest guitar riffs in Rock n' Roll, and The Beatles Day Tripper landed at number 11!. Here is what they said about the song.

At the height of their powers, the Beatles could take one person's great idea and turn it into three minutes of utter perfection. John Lennon came into the studio with lyrics and that terrific bluesy hook, and through the miracle of double-tracking and a brilliant co-lead from George Harrison, they created a guitar masterpiece.

Think you know who number 1 is? See the full list at:

http://www.spinner.com/2011/01/13/rock-guitar-riffs/?icid=maing|main5|dl2|sec1_lnk5|36220

---The Beatles Blogger

Friday, January 14, 2011

Beatles sales on iTunes hit new milestone

We love you ....Yeah, Yeah, Yeah
************************************

The-BeatlesmoneyAll you need is love, kids. Also, a credit card, and wi-fi. And bam! you’ve got yourself one of iTunes’ greatest hits to date: The Beatles catalog.
Since the four unknown Liverpudlians finally arrived on iTunes last November 16, sales have been (shocker!) swift—two million songs and 450,000 albums (13 are available via the site) in the first week alone. And now, iTunes reps tell EW, they have hit new marks: 5 million and one million, respectively.
The top song, George loyalists will be happy to learn, remains the same: “Here Comes the Sun.” As does the top album, Abbey Road. Clearly, the catalog’s momentum has slowed since its initial bow two months ago; still, these are not-exactly-shabby numbers for music originally released over 40 years ago, and long available physically at any mall, record store, or swap meet in the land.
---Leah Greenblat
     ew.com

Thursday, January 13, 2011

First American Beatles Concert Shown in Full

Love, love me do get tickets right away for this February screening.

The Beatles are leading a new British Invasion.

Well, Beatles buffs, and that's probably most everyone in the room, we'll caddishly assume, this is some very exciting news.
The Beatles Complete First American Concert will be screening at the Egyptian Theatre on Friday, Feb. 11. This is of note for several reasons. One, yeah, the Beatles. We decided Apple could leave up those "Beatles avaiable through iTunes" billboards, especially the big one at Hollywood & Highland, forever, because we'll never get tired of making eyes with our four special music boyfriends.
And we always save a special wink for Ringo.
The second interesting fact is that this, according to the promoter, "is the original broadcast, unseen in its entirety since March 1964." Meaning that, for 47 years, this show has gone unshown in full. Exactly 47 years, since the concert was on Feb. 11, 1964, in Washington D.C.
Tingles. Makes us want to wink at a giant billboard, in fact.
Here's the third thing. Tickets are going, going, via Fandango, so jump quick. You know the Beatles-style jump, like from "A Hard Day's Night"? Trim suit, devilish grin, hands in the air? That sort of jump will do. Oh, and probably your credit card, or preferred method of payment. General is $11.

     nbclosangeles.com

Wednesday, January 12, 2011

Guitar replicas put fans of Beatles, Harrison on cloud nine

When George Harrison played Liverpool's Cavern Club with The Beatles in the early '60s, he had a Gretsch Duo Jet in his hands.
Now, Gretsch Guitars is putting a limited-run tribute model of the instrument Harrison described as his "first really decent guitar" into the hands of fans.Harrison played the Duo Jet, known for its trebly tone, on The Beatles' first album (called "Meet the Beatles" in the United States). It's also pictured on Harrison's 1987 "Cloud Nine" album.
"I've never seen a more precise and detailed replica of any guitar in my life," said Harrison's son, Dhani.

Tuesday, January 11, 2011

'Idol' hopefuls 'didn't know Beatles songs'

Here is one of those I just have to shake my head at moments... You have got to be kidding!!! Here is the story I am referring to.....
**********************************************************
Ryan Seacrest has revealed that some of this season's American Idol hopefuls hadn't heard a Beatles song before they entered the competition.

A new feature of the tenth season, which premieres on Fox next week, will see hopefuls travelling to Las Vegas to perform Beatles tracks on stage.

"The contestants were shipped off to Vegas after they made it through one of the rounds of the auditions," he explained on Monday's Tonight Show With Jay Leno.

"They went to perform Beatles songs, about 60-something [of them]. A handful of them, I asked, 'What do you think about the songs?' and they said, 'I've never heard a Beatles song before in my life!'

"They had to learn the Beatles songs in 24 hours. It makes for some compelling television... and surprising."

The host was promoting the new season on Leno alongside judges Randy Jackson, Jennifer Lopez and Steven Tyler and said that there was instant chemistry between the quartet from the very beginning. "We're having so much fun," added Lopez.

American Idol returns for a two-night premiere from January 19 at 8/7c on Fox.
 --Lara Martin

Monday, January 10, 2011

Lennon's first car under hammer

The first car bought by John Lennon after he passed his driving test is being offered for sale at auction next month.
The Ferrari 330 GT 2+2 Coupe was bought by the Beatle in 1965 and is expected to sell for between 120,000 euros (£99,987) and 170,000 euros (£141,000).
Lennon's biographer, Philip Norman, described how car dealers descended on the singer's home when the news emerged that he had passed his test and offered him a "gleaming smorgasbord" of luxury cars.

Beatles memorabilia going on display soon in Topeka

TOPEKA | A collection of Beatles memorabilia goes on display next month at a Topeka museum.
The exhibit is called "Remember My Name." It features posters, photographs, albums, singles, covers, magazines, prints, toys and other items.
Visitors can catch their first glimpse of the exhibit Feb. 5 at Washburn University's Mulvane Art Museum, and the items will remain on display through March 20. Admission is free.
Two Topeka residents — Ron Russell and Tony Wedeking — are the curators.

Saturday, January 8, 2011

New Beatles Museum Opens

A Beatles-themed museum opened in Buenos Aires, Argentina, this week, featuring the treasures of one man’s personal collection.
“It is the only museum on The Beatles catalog which belongs to a private collector,” said Argentine collector Rodolfo Vazquez in the Buenos Aires newspaper Tiempo Argentino. “It’s really unique in the world [other than] The Beatles Story in Liverpool.”
In 2001, Vazquez qualified to join the Guinness Book of World Records because of his 8,500-item collection of Beatles memorabilia. Notable objects include photos and clothing that belonged to the Fab Four, checks signed by band members, and even a box of condoms featuring Yoko Ono and John Lennon’s image.
The new museum is located at The Plaza in downtown Buenos Aires. If existing Beatles-themed museums are any indications, Buenos Aires’ tribute to John, Paul, George and Ringo ought to fare well. The Beatles Story museum, which opened in Liverpool in 1988, has since expanded many times over as a result of its popularity.
 --Ellen Barnes
gibson.com

Friday, January 7, 2011

Abbey Road is the best-selling vinyl for the second year in a row

beatles_-_abbey_road
Even though the Beatles are selling an insane amount on iTunes, it hasn’t affected their vinyl sales much. According to Nielsen SoundScan, the sales for Abbey Road still remain strong. Really strong, in fact, as in it’s the best-selling vinyl record for the second year in a row. No surprise there. After all, some people consider it the greatest album ever.
The last-recorded album by the Fab Four beat out some pretty tough competition from both the indie and classic rock scenes. Arcade Fire’s The Suburbs trailed in second, followed by the Black Keys’ Brothers. Older records such as Michael Jackson’s Thriller and Pink Floyd’s Dark Side of the Moon were relegated to fifth and ninth place respectively.
This achievement also helped The Beatles become the best-selling artist on vinyl in America for 2010, coming ahead of Radiohead, Jimi Hendrix, Pavement, Metallica, and Bob Dylan.
Top 10 Vinyl Records of 2010:
01. The Beatles – Abbey Road
02. Arcade Fire – The Suburbs
03. Black Keys – Brothers
04. Vampire Weekend – Contra
05. Michael Jackson – Thriller
06. National – High Violet
07. Beach House – Teen Dream
08. Jimi Hendrix Experience – Valleys of Neptune
09. Pink Floyd – Dark Side Of The Moon
10. The XX – XX
---consequenceofsound.net

Brad Pitt to play John Lennon

Brad Pitt is set to play John Lennon in a biopic, and is planning to have lessons to ensure he can sing on camera.
The Hollywood hunk is said to be a life-long admirer of the Beatles legend, who was shot dead by Mark Chapman in 1980. He has reportedly been in secret talks to play the iconic musician in a movie about his life, which Brad also plans to produce.
The actor has spent time discussing the project with John's widow Yoko Ono, who is said to think the time is right for the adaptation to be made.
It has been claimed Brad is already practising speaking like John, who was from the UK city of Liverpool, and also plans to show off his vocal abilities on screen.
"Brad already has a writer working on the script. And Yoko has given the project her blessing so long as it's true to John's life," a source told British newspaper The Daily Express. "Brad wants to do all the singing himself and plans to take voice lessons. If he can't pull it off they'll use John's own voice."
The 47-year-old star has started stockpiling recordings of John so he can mimic his mannerisms. He is also reading as much about the icon as possible, as he wants to be totally prepared when shooting begins.
---stuff.co.nz

Thursday, January 6, 2011

Paul McCartney to serenade Royal couple?

Sir Paul McCartney will reportedly sing at Prince William and Kate Middleton's wedding.
The 68-year-old Beatles legend has allegedly been asked by the happy couple to perform at their April wedding because his music appeals to all guests.
A source told British newspaper the Daily Star: 'William and Kate have chosen their wedding list and Paul McCartney is their No 1 choice to perform.??
'They can't think of anyone more perfect to kick off proceedings.'
The source added: 'Prince William will be following in his mother's footsteps by inviting a host of her famous friends to join him on his wedding day.'
According to reports, McCartney has been asked to perform a few numbers.

By Vicky Allison
monstersandcritics.com

Beatles being paid directly by iTunes in deal

NEW YORK (Billboard) - It seems that the EMI/Beatles deal that finally brought the Fab Four's catalog to iTunes may be more groundbreaking than originally thought.
According to industry sources, iTunes is paying the Beatles' royalties from digital download sales in the United States directly to the band's company, Apple Corps, and is paying the songwriting mechanical royalties directly to Sony/ATV Music Publishing, which controls most of the Beatles' song catalog.
That suggests the royalty split could be more lucrative for the Beatles than it would be under the typical provisions of a standard artist contract, which treat digital downloads as a retail sale.
Under a standard contract, a label issues an album, licenses the songs from music publishers, collects all wholesale revenue from the retailers and then distributes royalties to the artist and the publisher.
For superstar artists, the royalty typically equals about 20%-25% of retail revenue. So in the case of iTunes' Beatles sales, where tracks are sold to the merchant for about 90 cents and are retailed for $1.29, a standard contract with a typical superstar royalty rate of 20%-25% would pay the Beatles about 18 cents to 22.5 cents per track sale.
But because iTunes is making royalty payments to the Beatles and Sony/ATV, EMI may be treating its deal with the digital retailer as a licensing pact.
Under such deals, the licensee pays mechanical royalties directly to a publisher and revenue from use of a master recording is split evenly between an artist and a label, making it far more lucrative for the artist than a standard artist contract.
An EMI spokesman declined to comment, as did Sony/ATV and representatives at Apple Corps and iTunes. And a high-placed source familiar with the deal insists that it's "absolutely incorrect" that the agreement between EMI and Apple Corps is a licensing deal.
However one describes the EMI-iTunes deal for the Beatles' catalog, its similarities to a licensing pact put it at the center of a heated debate over the nature of download sales.
Since the dawn of the digital age, artists, managers and labels have wrangled over whether a digital download purchase should be considered a licensed use of a master recording or a retail sale, much like the sale of a CD. Labels, of course, insist the latter designation is correct and have paid artist royalties accordingly.
But some recording acts, like Cheap Trick and the Allman Brothers, have taken their labels to court claiming that sales of their downloads should be treated as licensing deals. While Cheap Trick ultimately settled with Sony, the Allman Brothers case is still ongoing.
In another closely watched case, the U.S. Court of Appeals for the Ninth Circuit in September voided a jury's decision on the royalty split issue that was favorable to Universal Music Group and against F.B.T., the music company that Eminem was originally signed to before Universal picked up his contract.
F.B.T. maintains that a digital download represents a licensing deal, which requires the higher royalty split. With the case sent back to the original court, UMG has filed a petition for the U.S. Supreme Court to review the lower court's decision.
In addition to a potentially much more lucrative royalty rate, iTunes' direct payment of U.S. royalties to the Beatles and Sony/ATV would give the band greater accounting transparency over their iTunes sales than they would if EMI distributed the royalties.
Other label/superstar contract negotiations have resulted in far costlier give-backs -- for example, acts like AC/DC and Garth Brooks negotiated the return of their master rights.
Still, whether the agreement that put the Beatles on iTunes is a licensing deal or not, it's still significant that the Fab Four and their publisher are being paid directly by iTunes.
U.S. music publishers lament that labels treat an iTunes download as a retail sale, because they want to be paid directly by any U.S. digital retailer selling downloads, rather than by a label.
Likewise, it would be a singular deal, label and publishing sources say, for an artist on a label to be paid directly by the retailer for the sale of the artist's music.
In practically every other known instance, the retailer pays the label, which in turn pays the artist royalty.

By Ed Christman(Editing by Zorianna Kit)

“Fifth Beatle” Streets Coming to Liverpool

Thirty years after John, Paul, George and Ringo were immortalized with street names in their hometown of Liverpool, other select members of the Beatles family are under consideration for the same honor. The Liverpool city council is considering plans to name streets after “fifth Beatles” Pete Best, Brian Epstein and Stuart Sutcliffe.
New Liverpool Beatles Appreciation Society spokesman John James Chambers, whose organization made the application for the aforementioned honors, said: “Epstein, Sutcliffe and Best are all Beatles icons and made a major contribution. They are all synonymous with The Beatles. In Brian Epstein’s case, he really was Mr. Liverpool. When [music producer and promoter] Tony Wilson died, he was posthumously given the freedom of Manchester because he was considered to be Mr. Manchester. Brian Epstein has never really been officially honored.”
Best was The Beatles’ drummer from 1960-1962, but was ousted after producer George Martin suggested that the group needed to upgrade. Sutcliffe was the band’s bassist from 1960-1961, but quit the group to study art in Germany. He died of a brain aneurysm in April 1962. Epstein was The Beatles’ manager, who led them from the Cavern Club to world stardom. He died of an accidental drug overdose in August 1967.
Both Sutcliffe and Epstein have also been nominated for posthumous freedoms of the city.

--Michael Wright

Wednesday, January 5, 2011

Street to be named after Beatles widow Yoko Ono in Liverpool?

A council chief has struck a sour note with Beatles fans after he appeared to rule-out the idea of creating a tribute to John Lennon's widow Yoko Ono in Liverpool.

The city already has John Lennon Airport and the Fab Four each have streets named after them.

A theatre is soon to be renamed in honour of the band's first manager Brian Epstein and there are plans to name roads after original guitarist Stuart Sutcliffe and drummer Pete Best.

But calls for John Lenon's greatest inspiration - his second wife Yoko Ono - to be recognised have been scorned by town hall chiefs in Liverpool.

Beatles experts and leading members of the Merseyside arts community have called for Ono, 77, to be given the accolade of a street named Yoko Ono Street.

Tuesday, January 4, 2011

Elton John Tops Chart With Beatles Cover 36 Years Ago



(RTTNews) -  Elton John reached the top of the singles chart with a cover of the Beatles' "Lucy In The Sky With Diamonds" on January 4, 1975.

The recording features Beatle John Lennon on guitar and background vocals, though he was credited under the pseudonym Dr. Winston O'Boogie. (Winston was Lennon's original middle name, though he changed it to Ono after his marriage to Yoko Ono.) The tune, written by Lennon after he saw a drawing done by his son Julian, originally appeared on the Beatles' "Sgt. Pepper's Lonely Hearts Club Band."

Elton John's version of "Lucy In The Sky," released only as a single, was backed by "One Day (At A Time)," a tune written by Lennon for his 1973 "Mind Games" album.

The song took over number one from "Angie Baby" by Helen Reddy. It reigned for two weeks, before getting knocked off by Barry Manilow's "Mandy."

Monday, January 3, 2011

Rock & Roll Birthday: George Martin

By BRETT WARNER

George Martin
Happy 85th Birthday, Sir George!
Easily the most successful, influential, and creatively innovative record producer in popular music history, Sir George Martin and his work with The Beatles during the 1960s changed the very fabric of how rock and roll could be written, recorded, and experienced. The unofficial “Fifth Beatle”, Martin taught and inspired the four lads from Liverpool to experiment with and evolve their highly profitable early sound, forging the blueprint for nearly every forward thinking pop music band to follow. His creative legacy cannot be overstated, and we’re ecstatic to wish Sir George a very happy 85th birthday.
George Martin The Beatles
Martin working with The Beatles at Abbey Road Studios
Born on January 3, 1926, Martin was raised in a working middle class family, teaching himself to play the piano before the outbreak of World War II in Europe. Dreaming of being a pilot, Martin was rejected by the Royal Air Force, eventually enlisting in the Fleet Air Arm of the Royal Navy. Failing to see any combat before the end of the war, Martin served another full year before joining the Guildhall School of Music, where he mastered his craft of composing, arrangement, production, and recording. In 1950, Martin landed a position assisting the head of Parlophone Records, Oscar Preuss. A small imprint of EMI, Parlophone was known largely for smaller regional acts in those days. After studying under Preuss for several years, Martin relieved him as head of Parlophone in 1955, signing and working with a number of lesser-known jazz, classical, and comedy artists, most notably the Goon Squad comedian Peter Sellers. After a chance meeting with manager Brian Epstein in 1962, Martin signed young Liverpudlian quartet The Beatles to Parlophone, cutting and releasing their debut album Please Please Me in March of 1963.

Sunday, January 2, 2011

Beatles fans joy as Govt stalls demolition of Ringo's birthplace

Beatles fans battling to save Ringo Starr's Liverpool birthplace for posterity are celebrating after the Government stepped-in to postpone demolition plans.

Housing Minister Grant Shapps has asked for a delay on the demolition of number 9 Madryn Street, so alternative schemes to preserve it can be examined.

He is calling on Liverpool City Council to postpone a scheme to raze seven of "The Welsh Streets" - an estate of Victorian terraced homes in city's Dingle area.

The move is a complete about-turn on the policy of the previous Labour Government and comes after English Heritage sai the building should not get "listed" status.

Officials at English Heritage turned-down a request for Number 9 Madryn Street to be put under a preservation order saying it lacked historic or architectural importance.

But Mr Shapps said he wanted to ensure the people of Liverpool have a chance to have their say in what happens to what many consider to be a culturally important building.

He has written to Liverpool City Council asking them to halt the planned demolition "to give the local community and other interested organisations an opportunity to put forward alternative viable preservation options".

A special meeting of Liverpool City Council's Planning Committee is scheduled for January at which the demolition of 9 Madryn Street and the other Welsh Street houses will be considered.

If the demolition scheme was approved the council would have needed to give only two weeks notice before the bulldozers moved-into action.

Saturday, January 1, 2011

John Lennon's White Suit Fetches $46,000 At Auction

NORWALK -- As "All You Need is Love," "Ticket to Ride," and "She Loves You" piped over the sound system in its vast showrooms, a Norwalk gallery auctioned the white suit John Lennon wore, famously, on the cover of the Beatles' "Abbey Road" album in 1969 for $46.000.
The hand-made suit, of a wool-blend knit, designed by Parisian couturier Ted Lapidus, was modeled by a long-haired mannequin wearing grannie glasses inside a movable glass case. Laborers strolled it up and down the aisle at Braswell Galleries as bids were rapidly noted, both in person and on the Internet. There was standing-room-only in the auction gallery.
The auction, which also offered other Lennon memorabilia, including a 1972 Chrysler station wagon,  attracted longtime fans of the legendary, much-loved Lennon, many of whom stood to be photographed next to the encased suit before the sale began.
 "I was twice in his presence in this suit in 1969 as a teenager in Toronto," marveled Andrew Jack of Easton by way of Scotland.
"It was during a Toronto tour and my friends and I -- college students at the time -- followed his limousine around in a Volkswagen."
"We were able to come up side by side with the limo and John Lennon was sticking his head out the window, throwing up," Jack recalled. "I think he was nervous from the tour or it was the heroin."
Regardless, there were no permanent stains in evidence on the smartly-tailored suit, its jacket draping below the hips and a waist-high vent lending grace to Lennon's long stride ahead of Ringo Starr, Paul McCartney and George Harrison, as captured in the iconic photograph.
Jack said he might bid up to $150 for the suit and then drop out of the bidding wars.
 "That way I can say I owned it for 3 seconds," he said cheerily.

This Day in Music Spotlight: The Man Who Turned Down The Beatles

In his distinguished tenure at Decca Records, Dick Rowe signed an unbelievable roster of talent, including The Rolling Stones, The Moody Blues, The Animals, Them (featuring Van Morrison), The Zombies, Tom Jones, Small Faces, The Tornados, and John Mayall’s Bluesbreakers. Unfortunately for Rowe and his label, he will always be known for the one band he let get away.
The Beatles first came to Rowe’s attention via a young writer in Decca’s employ named Tony Barrow. Barrow hailed from the Liverpool area, but was a few years older than The Beatles. He had moved to London to take a job writing liner notes for the label, while still contributing to The Liverpool Echo on the side. When Brian Epstein signed The Beatles to work as their manager, he consulted Barrow for advice… and help. While Barrow turned down his request to write about the band in his Echo column, he did promise to mention the group to Decca’s A&R department. Rowe was the head of that department.

For Rowe, the request to consider this unknown Northern band put him in a slightly awkward position. He was hardly interested in The Beatles, whoever they were, but he knew that Epstein was a valued customer for Decca. His NEMS music store was a major retailer in the North and Epstein’s was a relationship Rowe could hardly afford to damage. And so, Rowe sent an assistant, Mike Smith, up to Liverpool to see what the fuss was all about.